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Fluxus

Luigi Bonotto plays a white chess set with Yoko Ono, who wears a red hat, as photographers gather around them in a crowded room.

A Tribute to Luigi Bonotto, the Visionary Fluxus Patron Who Merged Art, Life and Industry

Bonotto believed strongly that “technique is essential, but technique without culture is empty.”
By Elisa Carollo

‘Liquid Reality’ at MoMA Explores the Intersections of Shigeko Kubota

Kubota viewed the intrinsic decay and distortion of video as gestural, and suited to her simultaneously American and Japanese fascination with landscape.
By John Reed
Joseph Beuys in a still from Beuys.

New Film on Artist Joseph Beuys Looks at His Lofty Aim to Change the World

Andres Veiel's new film now screening at Film Forum profiles German artist Joseph Beuys, one of the most influential artists of the mid twentieth century.
By Margaret Carrigan
LONDON, ENGLAND - NOVEMBER 26: Joe Corre, the son of Vivienne Westwood and Sex Pistols creator Malcolm McLaren burns his entire £5 million punk collection on November 26, 2016 in London, England. Joe Corre burnt the rare punk memorabilia in protest saying punk has no solutions for today's youth and is 'conning the young'. (Photo by John Phillips/Getty Images)

Sex Pistols Archivist Johan Kugelberg on ‘Punk Rock Jabroni’ Joe Corré

By Justin Joffe
John & Yoko

Yoko Ono Didn’t Break Up The Beatles, John Lennon Did

By Justin Joffe
La Monte Young

Experimental Music Pioneer La Monte Young Speaks at Red Bull Music Academy Festival

By Tim Sommer
The map function of the See Saw app. (Screen shot by Nate Freeman)

How a Hit Map App Started as a Hobby Got Loaded to the Art World’s iPhone

By Nate Freeman

'Living With Pop: A Reproduction of Capitalist Realism' at Artists Space

By Maika Pollack
A 1963 Fluxus manifesto. (© Estate of George Maciunas/Wikicommons)

MoMA’s Gilbert and Lila Silverman Fluxus Collection Archives Are Now Available to Researchers

By Andrew Russeth

MoMA: ‘We Soon Found That the Joke Was on Us’

By Molly Fischer

MoMA’s Fluxus Collection: Both Valuable and ‘Physically Noxious’

By Molly Fischer

Yoko Ono’s MoMA Wallpaper Brings Bottoms to ‘Any Receptive Surface’

By Molly Fischer
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