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REDCAT

A barefoot woman in a yellow tunic dress sits on her knees before the end of massive train of blue cloth. The cloth is worn by a figure who sits several meters away from her in the background. The woman in yellow bends over the blue cloth as though folding it.

Elia Arce’s ‘No Time to Mourn (An Excerpt)’ Is a Monument to Grief

The piece’s enculturation rests on a certainty in its own semiotics—a stalwart belief that no matter the audience, grieving should be collective, not singular.
By Mya Ward
Image of Walt Disney Concert all with a digital installation all around.

Refik Anadol Is Launching the World’s First Museum of A.I. Art

DATALAND will "utilize the latest advancements, including Web3 technologies, to collect and exhibit works from the digital art community, providing new ways for these artists to engage with global audiences," he told Observer.
By Elisa Carollo
Image of a totemic statue similar to pre columbian archeology standing in a room with yellow lights

Teiger Foundation Announces $4 Million for Curatorial Projects and Climate Initiatives

The grantees were chosen from among a pool of 500 proposals submitted by curators working at cultural institutions around the U.S.
By Elisa Carollo

Most Recent Posts on Observer

A Sotheby’s auctioneer in a black suit stands in front of a crowded room with Gustav Klimt’s portrait of a woman hanging beside a bidding screen showing Antonio Obá’s Alvorada—Musica Incidental Black Bird.

Christie’s and Sotheby’s Close 2025 With a Market Rebound Fueled by Luxury and New Buyers

By Elisa Carollo
Luigi Bonotto plays a white chess set with Yoko Ono, who wears a red hat, as photographers gather around them in a crowded room.

A Tribute to Luigi Bonotto, the Visionary Fluxus Patron Who Merged Art, Life and Industry

By Elisa Carollo
Man in glasses pictured onstage

A.I. Is Overhyped Yet Underappreciated, Says DeepMind CEO Demis Hassabis

By Alexandra Tremayne-Pengelly
A McKinsey & Company logo inside an office building.

How A.I. Is Reshaping Consulting From the Bottom Up

By Raphael McMahon
Interior of a brick and mortar Studs location

The End of Commodity Piercing and the Rise of the Experience Economy

By Sonia Rubeck
An immersive digital museum installation

Museum of Tomorrow’s Fábio Scarano On Rethinking Science Through Art and Redefining Institutional Purpose

By Dan Duray
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