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Sarah Moroz

Sarah Moroz is a freelance writer.

  • @SarahMoroz
  • Sarah Moroz
  • @sarahmsnapshot
A black-and-white photograph shows a shirtless man with curly hair and a beard looking directly at the camera while holding someone’s hand beneath a draped cloth.

In Arles, the Rencontres de la Photographie Showcases the Vernacular, the Archive and the Contemporary

By Sarah Moroz
A group of fair attendees observe artworks displayed on and around a neon green shelving unit, with one large circular face painting visible on the adjacent wall.

Riga Contemporary Charts a New Course for the Baltic Art Scene

By Sarah Moroz
A girl with long, bright pink and yellow braided hair stands with her back to the camera against a chipped, sky-blue wall—part of a series documenting Afro-Colombian life on a disappearing island in the Caribbean.

The 2025 Latin American Foto Festival Grapples with Extremes

By Sarah Moroz
A color photograph of a woman in a dark, puff-sleeved dress, orange gloves and a headscarf, standing before a mountainous landscape, part of Cindy Sherman’s “Ominous Landscapes” series where couture meets remote natural settings.

In Menorca, Cindy Sherman’s Cinematic Take on Womanhood

By Sarah Moroz
An overhead view of several white ceramic bowls floating on a bright blue surface, with their reflections visible below, and the intricate, glass-domed ceiling of a large architectural space in the background.

Céleste Boursier-Mougenot’s Meditative ‘Clinamen’ Is a 21st-Century Urban Giverny

By Sarah Moroz
A vast open warehouse space with art installed within

With Art, This Museum Chronicles Centuries of Voluntary and Involuntary Journeys

By Sarah Moroz
A person rides a light-colored horse past a small, weathered wooden church with a sign reading “Faith Temple Church of God in Christ,” framed by overhanging tree branches.

Legacy and Loss in the South and Self: An Interview with Rahim Fortune

By Sarah Moroz
An impressionist oil painting of a woman in a blue shawl reading a newspaper by a sunlit window framed by leafy green vines.

Curator and Art Historian Camille Morineau On Finding the Women Artists of the American West

By Sarah Moroz
A person dressed as Shirley Smith, Grayson Perry’s alter ego, stands confidently in a lavishly decorated gallery room with purple damask wallpaper, gilded paintings, ornate furniture and porcelain vases, exemplifying the contrast between Perry’s colorful outfit and the opulent historic interior.

At the Wallace Collection, Grayson Perry Topples the Affluent Class from Within

By Sarah Moroz
An image of a photographic print by Magda Stawarska titled Tensio, showing crumpled fishing nets strewn across the deck of a wooden boat, with a horizontal strip of vibrant purple and blue patterned material collaged across the center.

Dual Identity Becomes a Powerful Creative Engine at Mudam Luxembourg

By Sarah Moroz
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