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Modern dance

A man sits in a studio beside large abstract paintings with earthy tones of white, gray, and brown, suggesting a setting where the artist reflects amid his own works exploring the relationship between movement and stillness.

Shen Wei On “STILL / MOVING” and Finding Harmony Across Disciplines

A new dual-venue exhibition traces nearly three decades of artistic evolution, from early experiments in gesture to meditative explorations of form and balance.
By Caedra Scott-Flaherty
A group of dancers in satin costumes bends forward in formation, each spinning a long necklace above their heads in Mark Morris’s You’ve Got to be Modernistic.

Mark Morris’ Latest Work at The Joyce Is Pure Delight

'You’ve Got to be Modernistic' marks a jubilant high point in Mark Morris Dance Group’s 45th anniversary season.
By Caedra Scott-Flaherty
A black-and-white photograph features two dancers in tight unitards performing expressive, angular movements in front of long vertical ribbons hanging from above.

Paul Taylor Dance Company’s ‘Tablet’ Is an Archaic Courtship, Staged Anew

“It feels fresh, feels unique. I love it when the curtain goes up and the audience doesn't know what they're about to see," artistic director Michael Novak told Observer.
By Caedra Scott-Flaherty
An image showing two dancers onstage: a male dancer in a black mesh shirt and shorts leans toward a female dancer in a corset-style bodice and long red skirt, both holding an intense pose from Deaths and Entrances during a rehearsal by the Martha Graham Dance Company.

Deaths, Entrances and Memory at The Joyce

By Caedra Scott-Flaherty
A photo of a performer dressed in flowing, semi-transparent clothing kneeling on a stage with a textured green and blue background. The person one arm raised and hands fisted, and is gazing to the side with an expressive posture suggesting deep emotion or contemplation.

Kyle Abraham On the Genesis of ‘Dear Lord, Make Me Beautiful’

By Caedra Scott-Flaherty
A photo of a group of dancers on stage, dressed in matching black costumes, with two dancers in the foreground reaching out in expressive poses, while the rest stand behind in a tight formation.

Paul Taylor Dance Company’s Sparkling Gala Performance: Two World Premieres and a Classic

By Caedra Scott-Flaherty
Three male dancers standing in curved, stylized poses, surround a seated drummer playing a hand drum. All dancers are shirtless and dressed in white pants, emphasizing their muscular forms and movement.

Limón Dance Company at The Joyce: Dances Lost and Found

By Caedra Scott-Flaherty
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