{"id":1597324,"date":"2025-11-04T15:15:46","date_gmt":"2025-11-04T20:15:46","guid":{"rendered":"https:\/\/observer.com\/?p=1597324"},"modified":"2025-11-05T09:47:12","modified_gmt":"2025-11-05T14:47:12","slug":"ai-pop-culture-curation","status":"publish","type":"post","link":"https:\/\/observer.com\/2025\/11\/ai-pop-culture-curation\/","title":{"rendered":"When Algorithms Curate Culture, What Do We Lose?"},"content":{"rendered":"<figure id=\"attachment_1597329\" aria-describedby=\"caption-attachment-1597329\" style=\"width: 970px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" class=\"wp-image-1597329 size-full-width\" src=\"https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/11\/MoPOP_2024_Exhibit_Hendrix_04223.jpg?quality=80&amp;w=970\" alt=\"Jimi Hendrix's guitar laid flat in front of a wall of his performances at an exhibition at Seattle's Museum of Pop Culture\" width=\"970\" height=\"647\" srcset=\"https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/11\/MoPOP_2024_Exhibit_Hendrix_04223.jpg 5774w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/11\/MoPOP_2024_Exhibit_Hendrix_04223.jpg?resize=300,200 300w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/11\/MoPOP_2024_Exhibit_Hendrix_04223.jpg?resize=768,512 768w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/11\/MoPOP_2024_Exhibit_Hendrix_04223.jpg?resize=635,423 635w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/11\/MoPOP_2024_Exhibit_Hendrix_04223.jpg?resize=1536,1024 1536w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/11\/MoPOP_2024_Exhibit_Hendrix_04223.jpg?resize=2048,1365 2048w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/11\/MoPOP_2024_Exhibit_Hendrix_04223.jpg?resize=970,647 970w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/11\/MoPOP_2024_Exhibit_Hendrix_04223.jpg?resize=320,213 320w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/11\/MoPOP_2024_Exhibit_Hendrix_04223.jpg?resize=1920,1280 1920w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/11\/MoPOP_2024_Exhibit_Hendrix_04223.jpg?resize=50,33 50w\" sizes=\"(max-width: 768px) 135px, 200px\" \/><figcaption id=\"caption-attachment-1597329\" class=\"wp-caption-text\">Displayed at MOPOP, Jimi Hendrix\u2019s guitar embodies the accidents and defiance that shaped modern sound, and that A.I. can\u2019t replicate. <span class=\"media-credit\">Courtesy Museum of Pop Culture<\/span><\/figcaption><\/figure>\n<p><span style=\"font-weight: 400\">Open Spotify and you\u2019re sure to find endless playlists tailored precisely to your exact music preferences. Whether sorted by artist, genre or even mood, I know this curation will deliver Lenny Kravitz to my headphones every time. This isn\u2019t an accident. It\u2019s algorithmic curation. Spotify\u2019s recommendation engine now drives <\/span><a target=\"_blank\" target=\"_blank\" rel=\"noopener\" href=\"https:\/\/www.technologyreview.com\/2024\/08\/16\/1096276\/spotify-algorithms-music-discovery-ux\/\" data-lasso-id=\"2861276\"><span style=\"font-weight: 400\">30 percent of all songs<\/span><\/a><span style=\"font-weight: 400\"> streamed on the platform, and similar systems power what we watch, read and buy.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">Whether we realize it or not, A.I. now plays a central role in the pop culture we consume each day. From Netflix\u2019s \u201cBecause you watched\u2026\u201d rows to YouTube\u2019s &#8220;<\/span><span style=\"font-weight: 400\">Up next\u201d queue to the search results we see on Google, algorithms have become our cultural gatekeepers. While we have access to more music, movies, games and television than ever before, we\u2019re discovering less. Infinite choice has collapsed into predictable familiarity. A gap is being created, causing consumers to miss the context that gives culture its depth and meaning and thus experience things on a more superficial level.<\/span><\/p>\n<p><span style=\"font-weight: 400\">As someone who spends her days immersed in the artifacts that define pop culture\u2014and much of our collective memory\u2014A.I. is reshaping not just what we consume, but how we understand it. We must ask ourselves: Is culture too important to leave to A.I.-driven curation? While technology is great at telling us what it thinks we want, it cannot preserve the context, accidents and history that make pop culture meaningful. We\u2019re at an inflection point. A.I. is already here, but it needs cultural understanding. Museums and cultural institutions must step up, not to oppose technology, but to partner with it for the future.\u00a0<\/span><\/p>\n<h3><b>The context that A.I. misses<\/b><\/h3>\n<p><span style=\"font-weight: 400\">Revolutionary moments in pop culture are often born from mistakes, risks and acts of defiance. Jimi Hendrix\u2019s electrifying, feedback-laced rendition of \u201cThe Star-Spangled Banner\u201d at Woodstock in 1969, an improvised <\/span><a target=\"_blank\" target=\"_blank\" rel=\"noopener\" href=\"https:\/\/www.pbs.org\/wgbh\/americanexperience\/features\/woodstock-star-spangled-banner\/\" data-lasso-id=\"2861277\"><span style=\"font-weight: 400\">protest against the Vietnam War<\/span><\/a><span style=\"font-weight: 400\">, defied every convention of its time. <\/span><i><span style=\"font-weight: 400\">The Blair Witch Project<\/span><\/i><span style=\"font-weight: 400\"> terrified moviegoers in the 1990s, <\/span><a target=\"_blank\" target=\"_blank\" rel=\"noopener\" href=\"https:\/\/www.nytimes.com\/2024\/08\/07\/movies\/blair-witch-project-reality-anniversary.html\" data-lasso-id=\"2861278\"><span style=\"font-weight: 400\">leaving many unsure<\/span><\/a><span style=\"font-weight: 400\"> whether what they watched was actually real and giving birth to a new genre in the process. Safety pins became a <\/span><a target=\"_blank\" target=\"_blank\" rel=\"noopener\" href=\"https:\/\/www.billboard.com\/music\/music-news\/safety-pins-solidarity-punk-rock-7595970\/#:~:text=Trending%20on%20Billboard,the%20video's%20release%20cemented%20it.\" data-lasso-id=\"2861279\"><span style=\"font-weight: 400\">defining accessory<\/span><\/a><span style=\"font-weight: 400\"> for the Punk movement, not because they were stylish, but due to their utility in keeping fabrics together\u2014a counterculture symbol created out of necessity.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">Many culturally crucial works weren\u2019t immediately enjoyable or commercially viable. They were often the result of accidents of creativity, created through friction, risk and cultural tension. They\u2019ve challenged, confronted and demanded context. A.I. tools, however, are designed to predict preference, not provoke it. Without the storytelling that human curation and cultural preservation provide, all of this context is missed, or worse, misunderstood. While A.I. avoids friction, culture usually requires it.\u00a0<\/span><\/p>\n<figure id=\"attachment_1597330\" aria-describedby=\"caption-attachment-1597330\" style=\"width: 970px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" class=\"lazyload wp-image-1597330 size-full-width\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/11\/MoPOP_2024_Exhibit_Nirvana_04326.jpg?quality=80&amp;w=970\" alt=\"Visitors explore the Museum of Pop Culture's Nirvana exhibit\" width=\"970\" height=\"647\" data-srcset=\"https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/11\/MoPOP_2024_Exhibit_Nirvana_04326.jpg 6000w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/11\/MoPOP_2024_Exhibit_Nirvana_04326.jpg?resize=300,200 300w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/11\/MoPOP_2024_Exhibit_Nirvana_04326.jpg?resize=768,512 768w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/11\/MoPOP_2024_Exhibit_Nirvana_04326.jpg?resize=635,423 635w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/11\/MoPOP_2024_Exhibit_Nirvana_04326.jpg?resize=1536,1024 1536w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/11\/MoPOP_2024_Exhibit_Nirvana_04326.jpg?resize=2048,1365 2048w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/11\/MoPOP_2024_Exhibit_Nirvana_04326.jpg?resize=970,647 970w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/11\/MoPOP_2024_Exhibit_Nirvana_04326.jpg?resize=320,213 320w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/11\/MoPOP_2024_Exhibit_Nirvana_04326.jpg?resize=1920,1280 1920w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/11\/MoPOP_2024_Exhibit_Nirvana_04326.jpg?resize=50,33 50w\" sizes=\"(max-width: 768px) 135px, 200px\" \/><noscript><img decoding=\"async\" class=\"lazyload wp-image-1597330 size-full-width\" src=\"https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/11\/MoPOP_2024_Exhibit_Nirvana_04326.jpg?quality=80&amp;w=970\" alt=\"Visitors explore the Museum of Pop Culture's Nirvana exhibit\" width=\"970\" height=\"647\" srcset=\"https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/11\/MoPOP_2024_Exhibit_Nirvana_04326.jpg 6000w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/11\/MoPOP_2024_Exhibit_Nirvana_04326.jpg?resize=300,200 300w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/11\/MoPOP_2024_Exhibit_Nirvana_04326.jpg?resize=768,512 768w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/11\/MoPOP_2024_Exhibit_Nirvana_04326.jpg?resize=635,423 635w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/11\/MoPOP_2024_Exhibit_Nirvana_04326.jpg?resize=1536,1024 1536w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/11\/MoPOP_2024_Exhibit_Nirvana_04326.jpg?resize=2048,1365 2048w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/11\/MoPOP_2024_Exhibit_Nirvana_04326.jpg?resize=970,647 970w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/11\/MoPOP_2024_Exhibit_Nirvana_04326.jpg?resize=320,213 320w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/11\/MoPOP_2024_Exhibit_Nirvana_04326.jpg?resize=1920,1280 1920w, https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/11\/MoPOP_2024_Exhibit_Nirvana_04326.jpg?resize=50,33 50w\" sizes=\"(max-width: 768px) 135px, 200px\" \/><\/noscript><figcaption id=\"caption-attachment-1597330\" class=\"wp-caption-text\">At the museum&#8217;s recently closed Nirvana exhibition, artifacts resist algorithmic neatness, from safety pins to DIY zines to distortion pedals, leaving a tribute to the messy creativity that redefined music and style. <span class=\"media-credit\">Museum of Pop Culture<\/span><\/figcaption><\/figure>\n<h3><b>When A.I. becomes the curator<\/b><\/h3>\n<p><span style=\"font-weight: 400\">Much is at stake if we leave cultural curation entirely to algorithms. When engagement becomes the metric, nuance disappears. Complex topics are distilled down to their most palatable elements. Netflix genre tags cannot indicate how horror films reflect current social anxieties, or how independent games explore serious themes beyond &#8220;adventure&#8221; or &#8220;puzzle.&#8221; We enter an echo chamber of sameness. A.I. feeds us more of what we have already seen, optimizing for engagement and homogenization rather than delivering transformative experiences. A system built to maximize attention inevitably rewards the familiar and the profitable.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">We see the results everywhere:\u00a0<\/span><\/p>\n<ul>\n<li><b>Homogenization:<\/b><span style=\"font-weight: 400\"> TikTok\u2019s \u201cFor You\u201d page has produced waves of near-identical trends, blurring the lines between creator and copy. Social media algorithms are designed to prioritize content with viral potential, even over authenticity.<\/span><\/li>\n<li><b>Misinformation: <\/b><span style=\"font-weight: 400\">Viral outrage often outpaces verified truth as algorithms reward emotional reactions over accuracy.\u00a0<\/span><\/li>\n<li><b>Cultural amnesia: <\/b><span style=\"font-weight: 400\">Younger audiences encounter art, music and fashion through feeds tailored to their engagement profiles, rather than through historical continuity. What doesn\u2019t fit the model simply disappears.\u00a0<\/span><\/li>\n<\/ul>\n<p><span style=\"font-weight: 400\">When discovery is dictated by engagement, challenging albums, experimental films, political fashion and boundary-pushing games are left behind. Commodification becomes king, and cultural preservation gives way to metrics and commercial interests. This loss of context is not merely an abstract concern. It has real consequences for how culture evolves and endures.<\/span><\/p>\n<h3><b>What human curators preserve\u00a0<\/b><\/h3>\n<p><span style=\"font-weight: 400\">Human curation restores what algorithms erase. At the Museum of Pop Culture (MOPOP), visitors encounter context, contradiction and connection\u2014things A.I. cannot replicate\u2014and attain a better understanding of the narratives behind the artifacts. Seeing Jimi Hendrix\u2019s handwritten lyrics or an original <\/span><i><span style=\"font-weight: 400\">Star Wars<\/span><\/i><span style=\"font-weight: 400\"> lightsaber offers insights into how creative rebellion, politics and identity intersected to shape these cultural moments.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">Museum curators preserve the \u201cwhy\u201d behind items. They surface contradictions, discomfort and even problematic aspects of culture that A.I. is <\/span><a target=\"_blank\" target=\"_blank\" rel=\"noopener\" href=\"https:\/\/www.whitehouse.gov\/presidential-actions\/2025\/07\/preventing-woke-ai-in-the-federal-government\/\" data-lasso-id=\"2861280\"><span style=\"font-weight: 400\">actively being trained to avoid<\/span><\/a><span style=\"font-weight: 400\">. Humans recognize nuance: the tension between appreciation and appropriation, between innovation and influence. They can celebrate an art form while recognizing its challenging history. Where A.I. may spit out a one-page summary on hip-hop\u2019s origins, human curators can trace how sampling changed music, while unpacking the racial and legal dynamics that defined the genre\u2019s evolution.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">This provides important juxtapositions between elements of culture. It helps us understand how punk influenced both music and fashion, how Sci-Fi shapes gaming aesthetics, films, and books, and even how meme culture is not just humor but also a meaningful form of political discourse. That\u2019s the work of preservation: revealing the connective tissue that binds art, innovation and identity across generations.\u00a0<\/span><\/p>\n<h3><b>It\u2019s about partnership, not opposition<\/b><\/h3>\n<p><span style=\"font-weight: 400\">There is a place in the world for A.I. in cultural work. It\u2019s a helpful tool for optimization, especially for streamlining internal operations to ensure the most effective use of funding. It can be integral to the expansion of digital archives, making artifacts available to wider audiences. Used responsibly, A.I. can amplify storytelling and efficiency. And we, as consumers and leaders in culture, have a duty to provide context. Without human insight, we risk flattening culture into content. Infinite information without interpretation is just noise.<\/span><\/p>\n<p><span style=\"font-weight: 400\">The question isn&#8217;t whether A.I. will continue shaping pop culture; it will. The question is whether we&#8217;ll let it do it alone. Pop culture is more than entertainment. It\u2019s a living record of how we process change, challenge power and imagine a different future. If we surrender all cultural discovery to A.I., we risk losing the accidents, uncomfortable contradictions and radical experiments that push us forward. So the next time Spotify serves you another perfectly curated playlist, remember: somewhere in the 100 million songs you didn&#8217;t hear might be the sound that changes everything.\u00a0<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Michele Y. Smith, CEO of Seattle\u2019s Museum of Pop Culture (MOPOP), examines how A.I.-driven curation is reshaping what we watch, listen to and value, and what\u2019s being lost in the process. Smith argues that while algorithms can organize content, they can\u2019t preserve the accidents, contradictions and context that make pop culture meaningful. <\/p>\n <a class=\"moretag\" href=\"https:\/\/observer.com\/2025\/11\/ai-pop-culture-curation\/\">Read More<\/a>","protected":false},"author":177935337,"featured_media":1597329,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"apple_news_api_created_at":"","apple_news_api_id":"","apple_news_api_modified_at":"","apple_news_api_revision":"","apple_news_api_share_url":"","apple_news_cover_media_provider":"image","apple_news_coverimage":0,"apple_news_coverimage_caption":"","apple_news_cover_video_id":0,"apple_news_cover_video_url":"","apple_news_cover_embedwebvideo_url":"","apple_news_is_hidden":"","apple_news_is_paid":"","apple_news_is_preview":"","apple_news_is_sponsored":"","apple_news_maturity_rating":"","apple_news_metadata":"\"\"","apple_news_pullquote":"","apple_news_pullquote_position":"","apple_news_slug":"","apple_news_sections":[],"apple_news_suppress_video_url":false,"apple_news_use_image_component":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"post_tag":[423982476,423982984,423806782,423978906,423811240],"company":[81,423806361,2074982,423840173,423975136],"channel":[177,186,12374,423809997,423868969,423875666],"location":[],"nyo_column":[423982261],"person":[423882779,423893796],"nyo_post_hidden":[],"coauthor":[424003995],"class_list":{"0":"post-1597324","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"tag-art-market-experts","8":"tag-business-experts","9":"tag-curators","10":"tag-museum-of-pop-culture","11":"tag-pop-culture","12":"observer_company-google","13":"observer_company-netflix","14":"observer_company-spotify","15":"observer_company-tiktok","16":"observer_company-youtube","17":"channel-arts","18":"channel-business","19":"channel-artificial-intelligence","20":"channel-museums","21":"channel-culture","22":"channel-technology","23":"nyo_column-expert-insights","24":"nyo_person-jimi-hendrix","25":"nyo_person-lenny-kravitz","26":"style-expert-insights"},"acf":{"homepage_position":"","homepage_title":"","homepage_excerpt":"","alternative_og_image":"","headline":{"seo_headline":""},"subheadline":{"optimized_seo_description":"","optimized_social_excerpt":""}},"apple_news_notices":[],"parsely":{"version":"1.1.0","canonical_url":"https:\/\/observer.com\/2025\/11\/ai-pop-culture-curation\/","smart_links":{"inbound":0,"outbound":0},"traffic_boost_suggestions_count":0,"meta":[],"rendered":"","tracker_url":"https:\/\/cdn.parsely.com\/keys\/observer.com\/p.js"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/11\/MoPOP_2024_Exhibit_Hendrix_04223.jpg?quality=80","coauthors_byline":"By Michele Y. Smith","display_channel":"","thumbnail":"<img width=\"300\" height=\"225\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/11\/MoPOP_2024_Exhibit_Hendrix_04223.jpg?quality=80&amp;w=300&amp;h=225&amp;crop=1\" class=\"lazyload attachment-grid-thumbnail size-grid-thumbnail\" alt=\"Jimi Hendrix&#039;s guitar laid flat in front of a wall of his performances at an exhibition at Seattle&#039;s Museum of Pop Culture\" decoding=\"async\" \/><noscript><img width=\"300\" height=\"225\" src=\"https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/11\/MoPOP_2024_Exhibit_Hendrix_04223.jpg?quality=80&amp;w=300&amp;h=225&amp;crop=1\" class=\"lazyload attachment-grid-thumbnail size-grid-thumbnail\" alt=\"Jimi Hendrix&#039;s guitar laid flat in front of a wall of his performances at an exhibition at Seattle&#039;s Museum of Pop Culture\" decoding=\"async\" \/><\/noscript>","classes":["post-1597324","post","type-post","status-publish","format-standard","has-post-thumbnail","tag-art-market-experts","tag-business-experts","tag-curators","tag-museum-of-pop-culture","tag-pop-culture","observer_company-google","observer_company-netflix","observer_company-spotify","observer_company-tiktok","observer_company-youtube","channel-arts","channel-business","channel-artificial-intelligence","channel-museums","channel-culture","channel-technology","nyo_column-expert-insights","nyo_person-jimi-hendrix","nyo_person-lenny-kravitz","style-expert-insights","entry-grid"],"parent_channels":"Arts, Business, Culture","thumbnail_url":"https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/11\/MoPOP_2024_Exhibit_Hendrix_04223.jpg?quality=80&#038;w=300&#038;h=225&#038;crop=1","thumbnail_url_2x":"https:\/\/observer.com\/wp-content\/uploads\/sites\/2\/2025\/11\/MoPOP_2024_Exhibit_Hendrix_04223.jpg?quality=80&#038;w=600&#038;h=450","excerpt_bare":"Michele Y. Smith, CEO of Seattle\u2019s Museum of Pop Culture (MOPOP), examines how A.I.-driven curation is reshaping what we watch, listen to and value, and what\u2019s being lost in the process. Smith argues that while algorithms can organize content, they can\u2019t preserve the accidents, contradictions and context that make pop culture meaningful. 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